为什么二三百年前的意大利名琴仍然是目前最优秀的小提琴？

为什么二三百年前的意大利名琴仍然是目前最优秀的小提琴？

而至今为止最有名的小提琴，应该是安东尼奥·斯特拉迪瓦里（Antonio Stradivari）1716年制作的“弥赛亚”（Le Messie），也作 “Salabue”，这把琴现藏于英国牛津的Ashmolean博物馆。
古老的琴,整个琴体都已经受到了长期的共振,音色更完美.不是说现代人做不出更好的乐器,而是新造的乐器必须有一段时间的"磨合期',新琴的音色毫无美感可言.琴时间越长,音色更完美.
另一方面则是因为较好木材种类减少。18世纪的小提琴之所以音色优美，是因为其正面和反面的木材密度高，氧化慢

你用什么，可以代替千年古木造的琴。

因为没高手了，时代的发展已经把一些传统技艺遗失

你说的是佐丹奴吧， 佐丹奴1722的小提琴，在世上似乎仅存12把，不过也有人报知有13把。 佐丹奴小提琴可谓稀世珍品，琥珀色， 颈后方有拉丁文的标写的名字， 其声质纯正、浑厚、深沉，与其他古代的小提琴截然不同。 Giordano's violins The instruments of Alberto Giordano stand out from the standard kind of modern italians instruments since he takes his own inspiration from the work of the italian luthiers of the 19th century such as Enrico Rocca and Eugenio Praga: 'I like to take a little glance at the traditional violinmaking of my town in my own work - says A. Giordano - I use mostly the model of the Paganini 'Cannone' violin: this thrilling violin is for me an incredible source of inspiration: it fits perfectly on a new violin, especially for the tonal features and for its style that allows a modern maker a good room of interpretation. The fine, selected seasoned woods are a steady features of the instruments of Alberto Giordano. The varnish is of oil, applied with the fingerboard glued on the neck, in the old Italian way. Every single part of the work is completely hand made, purfling included. Particoular attention is given to the fittings, personally handmade following the genoese tradition. See the special 'look-through' endpin button that allows to check the soundpost position without removing the strings from the instrument. "Musicians are my teachers" says Alberto Giordano "I love the direct contact with them: I believe that the best way to improve my work is to listen to every single note they play, to every comment they say". 上面是谷歌上的资料 补一句，楼下chen199137好厉害，给出的答案要比我的好，真够专业的，致敬。